谢楠
著名小提琴演奏家，中央音乐学院教授、小提琴教研室主任、研究生导师，中国音乐家协会小提琴学会副会长，中国女音乐家协会理事，CCTV钢琴、小提琴大赛评委，曾任什洛莫·敏茨国际小提琴大赛、安德烈·珀斯塔契尼小提琴大赛、香港国际小提琴大赛、舍恩菲尔德国际弦乐大赛评委。被国内外评论界誉为“提琴魔女”。
极具非凡音乐天赋的谢楠，九岁登台演奏门德尔松《E小调小提协奏曲》，获广东省音乐大赛第二名；十四岁在北京国际青少年小提琴比赛中一举成名；十六岁在波兰维尼亚夫斯基国际小提琴比赛中再次获胜，并同时荣获该赛唯一的“维尼亚夫斯基作品最佳演奏奖”。维尼亚夫斯基国际小提琴比赛评委会主席布热祖夫斯基在评语中写道：“富于激情的精彩演奏……令人回味无穷。”著名英国小提琴家马斯特斯称她是“了不起的天才”。
由于成绩突出，谢楠多次受到中华人民共和国文化部的表彰与嘉奖。中央电视台亦多次为其录制个人专辑并向全国播放。
谢楠先后师从朱雄震教授、黄晓芝教授、林耀基教授，以优异成绩获硕士学位后赴美深造，从师艾丽斯·舍恩菲尔德教授，并获南加州大学音乐学院颁发的最高演奏家文凭。谢楠曾得到著名小提琴大师斯特恩、阿卡多、祖克曼亲自指导，受到大师们高度赞赏。1999年，谢楠成功录制出版了被伟大小提琴大师海菲茨誉为小提琴圣经的《克莱采尔42首随想练习曲》，成为世界上第一位录制该作品（全套）的小提琴家，并录制出版《弦琴往事》、《马思聪作品集》等多张个人演奏专辑。近期，谢楠获得教育部“新世纪人才”资助计划，成功录制并出版《勃拉姆斯三首小提琴奏鸣曲》，并同步推出教材，填补了国内这项空白。
多年来，谢楠活跃在各地音乐舞台，经常参加世界各地重大演出交流活动，出访英国、德国、奥地利、波兰、芬兰、朝鲜、俄罗斯、荷兰、日本、美国、加拿大、南非、韩国、泰国及港、澳、台等国家和地区，深受观众热列欢迎与高度赞誉。她应邀在北京国际音乐节、澳门艺术节、上海之春国际音乐节、日本亚洲交响音乐节、亚洲文化部长论坛、中央电视台音乐台三周年庆典音乐会等担任小提琴独奏；与中国爱乐乐团、中国交响乐团、中央歌剧院交响乐团、中国青年交响乐团、上海交响乐团、广州交响乐团、北京交响乐团、深圳交响乐团、杭州爱乐乐团、台湾爱乐乐团、约翰内斯堡爱乐乐团、芬兰KUOPIO交响乐团、荷兰BRABANTS交响乐团、澳门乐团、汉城室内乐团、香港中乐团、台北实验国乐团等国内外众多著名乐团合作演出，均担任小提琴独奏，所到之处好评如潮、反响热烈。自任教中央音乐学院管弦系以来，她将炽热的爱心投入教学，她的学生在国内重大比赛中屡获奖项。2008年汶川地震后，她心系灾区毅然举办义演音乐会，将票房收入全部用作建立“谢楠音乐教室”。她还应邀在耶鲁大学音乐学院、波士顿大学音乐学院、加拿大McGill大学音乐学院、新加坡杨秀桃音乐学院、星海音乐学院、武汉音乐学院、天津音乐学院等院校进行大师班讲座，深受好评。
作为一名杰出的中国音乐家，谢楠立志以弘扬中国音乐作品为己任，2002年以来，她在著名的维也纳金色大厅、荷兰飞利浦音乐厅、日本大阪音乐厅、南非约翰内斯堡音乐厅等著名音乐厅公演了小提琴协奏曲《梁山伯与祝英台》，均获巨大成功（在维也纳金色大厅的演出实况已由中国唱片总公司出版发行）。在香港文化中心音乐厅及台北中正音乐厅,她分别与香港中乐团、台北实验国乐团演出国乐版《梁祝》，引起极大轰动，被媒体称为“蝴蝶女王”。她的演奏精彩华丽、热情奔放，音色圆润甜美，音乐细腻感人、摄人魂魄。她的出色演绎被誉为“激情的冷静、理智的火花”。
Praised by critics in China and abroad as a “magician of the violin”, Xie Nan currently is the Professor of Violin and is the Chairman of the Violin department at the prestigious Central Conservatory of Music,Vice President of the China Musicians’ Association’s Violin Academy, Council Member of the China Female Musicians’ Association, and adjudicator for the CCTV Piano and Violin Competition.
Xie Nan’s musical talent was unveiled at age nine when she was awarded second prize at the Guangdong Music Competition for her performance of Mendelssohn’s E minor Violin Concerto. By age 14, she had won awards at the Beijing International Youth Violin Competition. Two years later, she performed at the Wieniawski Competition in Poland and not only claimed another prize, but also became the sole recipient of the award for “Best Performance of Wieniawski’s Works”. Zenon Brzewski, the head adjudicator of the competition, wrote that it was a “passionate and brilliant performance that remains alive in the heart and mind”, and renowned British violinist R. Masters claimed that she was “an exceptional genius”.
For her successful performances, the Ministry of Culture of the People’s Republic of China awarded her multiple distinctions and awards, and she has recorded several musical albums with the China Central Television network for international distribution.
Xia Nan has been under the tutelage of professors Zhu Xiongzhen, Huang Xiaozhi, and Lin Yaoji. After obtaining her Master’s degree with distinction, she continued her studies in the United States under Professor Alice Schoenfeld, earning the Artist Diploma offered by the School of Music of the University of Southern California’s. Xie Nan also received instruction and high praise from violinists Isaac Stern, Salvatore Accardo, and Pinchas Zukerman. In 1999, she became the first violinist to record the complete 42 Capriccios of Kreutzer, which have been praised by Jascha Heifetz as “the Bible of violin”. She also recorded numerous solo albums including “Xian Qin Wang Shi” and “Ma Sicong’s violin works”. Recently, she was the recipient of the PRC’s Ministry of Education’s “New Century Talent” program, for which she recorded the album “Brahms’ Three Violin Sonatas” and was the first person in China to publish educational materials for these works.
Xie Nan’s musical career has brought her to many of the world’s stages and major musical events in such places as Great Britain, Germany, Austria, Poland, Finland, North Korea, Russia, the Netherlands, Japan, the United States, South Africa, South Korea, Thailand, as well as Hong Kong, Macau, and Taiwan. She has been invited to perform as a soloist at the Beijing International Music Festival, the Macau Arts Festival, the Shanghai Spring Music Festival, Japan’s Asia Symphonic Music Festival, the Asia Cultural Ministers’ Forum, and the CCTV Music Channel’s Third Anniversary Celebration Music Festival. She has also collaborated as a soloist with the China Philharmonic Orchestra, China National Symphony Orchestra, Central Opera Orchestra, China Youth Symphony Orchestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, Beijing Symphony Orchestra, Shenzhen Symphony Orchestra, Taiwan Philharmonic Orchestra, Johannesburg Philharmonic Orchestra, Finland Kuopio Symphony Orchestra, Netherlands’ Brabants Orchestra, Macau Orchestra, Seoul Chamber Orchestra, Hong Kong Chinese Orchestra, Taipei Experimental Chinese Orchestra, and many others. Since becoming a faculty member at the Central Conservatory of Music, she has invested her passion into teaching the next generation of students, who have since claimed numerous awards in national and international competitions. After the 2008 earthquake in Sichuan, she held concerts for charity and used the proceeds to establish “Xie Nan Music Classrooms” with the goal of helping schools in the earthquake area to build well-equipped music classrooms. She has also been invited to give masterclasses at the Yale University Music School, Boston University Music School, Singapore Yong Siew Toh Conservatory of Music, Xinghai Conservatory of Music, Sichuan Conservatory of Music and many others.
A renowned Chinese musician, she is dedicated to promoting Chinese music compositions. Since 2002, she has performed the Chinese violin concerto “Butterfly Lovers” in Vienna’s Musikverein, Netherland’s Philips Concert Hall, Japan’s Osaka Concert Hall, and the Johannesburg Concert Hall, and a live recording of her concert in Vienna Musikverein was released by the China Record Corporation. She also gave performances of “Butterfly Lovers” that were arranged for traditional Chinese orchestra with Hong Kong Chinese Orchestra at the Hong Kong Cultural Center and Taipei Experimental Chinese Orchestra at the Taipei National Concert Hall, earning her the name “Goddess of Butterflies” by the media. Xia Nan’s performances are passionately moving, in a style that has been described as “a frenzied calm” and “an intellectual blaze”.
极具非凡音乐天赋的谢楠，九岁登台演奏门德尔松《E小调小提协奏曲》，获广东省音乐大赛第二名；十四岁在北京国际青少年小提琴比赛中一举成名；十六岁在波兰维尼亚夫斯基国际小提琴比赛中再次获胜，并同时荣获该赛唯一的“维尼亚夫斯基作品最佳演奏奖”。维尼亚夫斯基国际小提琴比赛评委会主席布热祖夫斯基在评语中写道：“富于激情的精彩演奏……令人回味无穷。”著名英国小提琴家马斯特斯称她是“了不起的天才”。
由于成绩突出，谢楠多次受到中华人民共和国文化部的表彰与嘉奖。中央电视台亦多次为其录制个人专辑并向全国播放。
谢楠先后师从朱雄震教授、黄晓芝教授、林耀基教授，以优异成绩获硕士学位后赴美深造，从师艾丽斯·舍恩菲尔德教授，并获南加州大学音乐学院颁发的最高演奏家文凭。谢楠曾得到著名小提琴大师斯特恩、阿卡多、祖克曼亲自指导，受到大师们高度赞赏。1999年，谢楠成功录制出版了被伟大小提琴大师海菲茨誉为小提琴圣经的《克莱采尔42首随想练习曲》，成为世界上第一位录制该作品（全套）的小提琴家，并录制出版《弦琴往事》、《马思聪作品集》等多张个人演奏专辑。近期，谢楠获得教育部“新世纪人才”资助计划，成功录制并出版《勃拉姆斯三首小提琴奏鸣曲》，并同步推出教材，填补了国内这项空白。
多年来，谢楠活跃在各地音乐舞台，经常参加世界各地重大演出交流活动，出访英国、德国、奥地利、波兰、芬兰、朝鲜、俄罗斯、荷兰、日本、美国、加拿大、南非、韩国、泰国及港、澳、台等国家和地区，深受观众热列欢迎与高度赞誉。她应邀在北京国际音乐节、澳门艺术节、上海之春国际音乐节、日本亚洲交响音乐节、亚洲文化部长论坛、中央电视台音乐台三周年庆典音乐会等担任小提琴独奏；与中国爱乐乐团、中国交响乐团、中央歌剧院交响乐团、中国青年交响乐团、上海交响乐团、广州交响乐团、北京交响乐团、深圳交响乐团、杭州爱乐乐团、台湾爱乐乐团、约翰内斯堡爱乐乐团、芬兰KUOPIO交响乐团、荷兰BRABANTS交响乐团、澳门乐团、汉城室内乐团、香港中乐团、台北实验国乐团等国内外众多著名乐团合作演出，均担任小提琴独奏，所到之处好评如潮、反响热烈。自任教中央音乐学院管弦系以来，她将炽热的爱心投入教学，她的学生在国内重大比赛中屡获奖项。2008年汶川地震后，她心系灾区毅然举办义演音乐会，将票房收入全部用作建立“谢楠音乐教室”。她还应邀在耶鲁大学音乐学院、波士顿大学音乐学院、加拿大McGill大学音乐学院、新加坡杨秀桃音乐学院、星海音乐学院、武汉音乐学院、天津音乐学院等院校进行大师班讲座，深受好评。
作为一名杰出的中国音乐家，谢楠立志以弘扬中国音乐作品为己任，2002年以来，她在著名的维也纳金色大厅、荷兰飞利浦音乐厅、日本大阪音乐厅、南非约翰内斯堡音乐厅等著名音乐厅公演了小提琴协奏曲《梁山伯与祝英台》，均获巨大成功（在维也纳金色大厅的演出实况已由中国唱片总公司出版发行）。在香港文化中心音乐厅及台北中正音乐厅,她分别与香港中乐团、台北实验国乐团演出国乐版《梁祝》，引起极大轰动，被媒体称为“蝴蝶女王”。她的演奏精彩华丽、热情奔放，音色圆润甜美，音乐细腻感人、摄人魂魄。她的出色演绎被誉为“激情的冷静、理智的火花”。
Praised by critics in China and abroad as a “magician of the violin”, Xie Nan currently is the Professor of Violin and is the Chairman of the Violin department at the prestigious Central Conservatory of Music,Vice President of the China Musicians’ Association’s Violin Academy, Council Member of the China Female Musicians’ Association, and adjudicator for the CCTV Piano and Violin Competition.
Xie Nan’s musical talent was unveiled at age nine when she was awarded second prize at the Guangdong Music Competition for her performance of Mendelssohn’s E minor Violin Concerto. By age 14, she had won awards at the Beijing International Youth Violin Competition. Two years later, she performed at the Wieniawski Competition in Poland and not only claimed another prize, but also became the sole recipient of the award for “Best Performance of Wieniawski’s Works”. Zenon Brzewski, the head adjudicator of the competition, wrote that it was a “passionate and brilliant performance that remains alive in the heart and mind”, and renowned British violinist R. Masters claimed that she was “an exceptional genius”.
For her successful performances, the Ministry of Culture of the People’s Republic of China awarded her multiple distinctions and awards, and she has recorded several musical albums with the China Central Television network for international distribution.
Xia Nan has been under the tutelage of professors Zhu Xiongzhen, Huang Xiaozhi, and Lin Yaoji. After obtaining her Master’s degree with distinction, she continued her studies in the United States under Professor Alice Schoenfeld, earning the Artist Diploma offered by the School of Music of the University of Southern California’s. Xie Nan also received instruction and high praise from violinists Isaac Stern, Salvatore Accardo, and Pinchas Zukerman. In 1999, she became the first violinist to record the complete 42 Capriccios of Kreutzer, which have been praised by Jascha Heifetz as “the Bible of violin”. She also recorded numerous solo albums including “Xian Qin Wang Shi” and “Ma Sicong’s violin works”. Recently, she was the recipient of the PRC’s Ministry of Education’s “New Century Talent” program, for which she recorded the album “Brahms’ Three Violin Sonatas” and was the first person in China to publish educational materials for these works.
Xie Nan’s musical career has brought her to many of the world’s stages and major musical events in such places as Great Britain, Germany, Austria, Poland, Finland, North Korea, Russia, the Netherlands, Japan, the United States, South Africa, South Korea, Thailand, as well as Hong Kong, Macau, and Taiwan. She has been invited to perform as a soloist at the Beijing International Music Festival, the Macau Arts Festival, the Shanghai Spring Music Festival, Japan’s Asia Symphonic Music Festival, the Asia Cultural Ministers’ Forum, and the CCTV Music Channel’s Third Anniversary Celebration Music Festival. She has also collaborated as a soloist with the China Philharmonic Orchestra, China National Symphony Orchestra, Central Opera Orchestra, China Youth Symphony Orchestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, Beijing Symphony Orchestra, Shenzhen Symphony Orchestra, Taiwan Philharmonic Orchestra, Johannesburg Philharmonic Orchestra, Finland Kuopio Symphony Orchestra, Netherlands’ Brabants Orchestra, Macau Orchestra, Seoul Chamber Orchestra, Hong Kong Chinese Orchestra, Taipei Experimental Chinese Orchestra, and many others. Since becoming a faculty member at the Central Conservatory of Music, she has invested her passion into teaching the next generation of students, who have since claimed numerous awards in national and international competitions. After the 2008 earthquake in Sichuan, she held concerts for charity and used the proceeds to establish “Xie Nan Music Classrooms” with the goal of helping schools in the earthquake area to build well-equipped music classrooms. She has also been invited to give masterclasses at the Yale University Music School, Boston University Music School, Singapore Yong Siew Toh Conservatory of Music, Xinghai Conservatory of Music, Sichuan Conservatory of Music and many others.
A renowned Chinese musician, she is dedicated to promoting Chinese music compositions. Since 2002, she has performed the Chinese violin concerto “Butterfly Lovers” in Vienna’s Musikverein, Netherland’s Philips Concert Hall, Japan’s Osaka Concert Hall, and the Johannesburg Concert Hall, and a live recording of her concert in Vienna Musikverein was released by the China Record Corporation. She also gave performances of “Butterfly Lovers” that were arranged for traditional Chinese orchestra with Hong Kong Chinese Orchestra at the Hong Kong Cultural Center and Taipei Experimental Chinese Orchestra at the Taipei National Concert Hall, earning her the name “Goddess of Butterflies” by the media. Xia Nan’s performances are passionately moving, in a style that has been described as “a frenzied calm” and “an intellectual blaze”.
|
