米哈伊尔•普雷特涅夫
米哈伊尔·普雷特涅夫是一位天才钢琴家,指挥家以及作曲家,他的杰出才能征服了世界观众。他的音乐充满令人眼花缭乱的技术力量和撩拨人心的情绪,诠释了本能与智慧的融合。在钢琴演奏和指挥方面,普雷特涅夫被誉为当代最杰出的艺术家之一。1978年,年仅21岁的普雷特涅夫在柴可夫斯基国际钢琴大赛中赢得金奖和头名,这让他受到国际乐界的关注与首肯。1988年,普雷特涅夫受邀前往华盛顿,超级大国峰会上的演出使得他与米哈伊尔·戈尔巴乔夫结下友谊,成为他在音乐领域自由创作的历史契机。

1990年,普雷特涅夫创立了俄罗斯历史上第一个完全独立于政府管辖的交响乐团。即使有戈尔巴乔夫的支持,普雷特涅夫迈出的第一步仍然是一种冒险,困难重重,正是普雷特涅夫的名声和付出使他多年的梦想得以实现。普雷特涅夫对俄罗斯表演艺术新模式的观念吸引了该国许多优秀音乐家加入,俄罗斯国家交响乐团由此诞生。在他的带领下,俄罗斯国家交响乐团短短几年内便跻身于世界领军乐团的行列。普雷特涅夫把俄罗斯国家交响乐团看作他最大的快乐,如今他担任乐团的艺术总监和首席指挥。2006年,为支持国家文化发展,他创办了米哈伊尔.普雷特涅夫基金协会,该基金协会为非盈利机构,旨在扶持国家重点文化项目,包括俄罗斯国家交响乐团一年一度的伏尔加河之旅,以及与德意志留声机公司合作的米哈伊尔.普雷特涅夫贝多芬项目。

普雷特涅夫经常应邀担任一流交响乐团的客席指挥,如伦敦爱乐乐团,马勒室内乐团,东京交响乐团,荷兰皇家大会堂管弦乐团,伦敦交响乐团,洛杉矶爱乐乐团以及伯明翰市立交响乐团。2008年,他被任命为位于卢加诺的瑞士意语区乐团第一客席指挥。

作为一名独奏钢琴家,普雷特涅夫经常出现在世界各地的音乐之都。他的录音和现场演出,都展现了他的优异演绎才华。伦敦电讯报这样评价道“从普雷特涅夫的指间和大脑迸发出来的灵感,赋予了音乐生命力,并让音乐充满新鲜和智慧。他使音乐变得欢欣雀跃。”英国泰晤士报描述他的演出展现了“天生的令人惊叹的精湛技艺”。

普雷特涅夫的录音获得众多奖项,他自己编录的CD,以及与玛塔·阿格丽希合作录制的《普罗科菲耶夫的灰姑娘》均获得2005年格莱美奖。他的CD 《舒曼交响练习曲》(2004) , 与俄罗斯国家交响乐团和指挥大师姆斯及斯拉夫·罗斯特罗波维奇合作的录音《拉赫曼尼诺夫与普罗高菲夫第三钢琴协奏曲》(2003)均获得格莱美提名。1996年,他的专辑《斯卡拉蒂的键盘奏鸣曲》获得留声机奖。BBC音乐杂志称这套专辑为“最伟大的钢琴演奏……这套唱片无疑证明了普雷特涅夫是最伟大的钢琴家之一”。2007年,他同德国留声机公司合作录制了贝多芬的所有钢琴协奏曲专辑,其中二号协奏曲专辑和四号协奏曲专辑获得东京唱片奖,被誉为“2007年度最佳协奏曲专辑”。

普雷特涅夫还是一位作曲家,他的作品包括《古典交响曲》,《交响乐团三联画》,《哈萨克幻想曲》,《钢琴和交响乐狂想曲》。他为钢琴所改编的柴可夫斯基《胡桃夹子组曲》与《睡美人》以及柴可夫斯基第二号钢琴协奏曲、《季节》在1998年被选入飞利浦古典唱片公司出版的 “20世纪伟大钢琴家”选集中。

Introduction of Mikhail Pletnev
Founder and Artistic Director

Mikhail Pletnev is an artist whose genius as pianist, conductor and composer enchants and amazes audiences around the globe. His musicianship encompasses a dazzling technical power and provocative emotional range, and a searching interpretation that fuses instinct with intellect. At the keyboard and podium alike, Pletnev is recognized as one of the finest artists of our time. Pletnev was Gold Medal and First Prize winner of the 1978 Tchaikovsky International Piano Competition when he was only 21, a prize that earned him early recognition worldwide. An invitation to perform at the 1988 superpower summit in Washington led to a friendship with Mikhail Gorbachev and the historic opportunity to make music in artistic freedom.

In 1990 Pletnev formed the first independent orchestra in Russia's history. The risks of this step, even with Gorbachev's endorsement, were enormous and it was Pletnev's reputation and commitment that made his long-held dream a reality. Sharing his vision for a new model for the performing arts, many of the country's finest musicians joined Pletnev in launching the Russian National Orchestra. Under his leadership, the RNO achieved in a few short years a towering stature among the world's orchestras. Pletnev describes the RNO as his greatest joy and today serves as its Artistic Director and Principal Conductor. In 2006, he launched the Mikhail Pletnev Fund for the Support of National Culture, a non-profit organization that supports major cultural initiatives and projects, including the RNO's annual Volga Tour and, in collaboration with Deutsche Grammophon, the Mikhail Pletnev Beethoven Project.

As a guest conductor, Pletnev appears regularly with leading orchestras such as London’s Philharmonia Orchestra, Mahler Chamber Orchestra, Tokyo Philharmonic, Concertgebouw Orchestra, London Symphony Orchestra, Los Angeles Philharmonic and City of Birmingham Symphony Orchestra. In 2008 he was named first guest conductor of the Orchestra della Svizzera Italiana in Lugano, Switzerland.

As a solo pianist and recitalist, Pletnev appears regularly in the world's music capitals. His recordings and live performances have proved him to be an outstanding interpreter of an extensive repertoire. The London Telegraph remarked, "from Pletnev's fingers and brain come ideas that vitalise the music and make it teem with freshness and wit. He made the music positively leap for joy." The Times describes his playing as "born of a prodigious virtuosity of imagination outrageous in its beauty."

Pletnev’s recordings have earned numerous prizes, including a 2005 Grammy Award for the CD of his own arrangement, for two pianos, of Prokofiev’s Cinderella, recorded with Martha Argerich and Pletnev at the keyboards. He received Grammy nominations for a CD of Schumann Symphonic Etudes (2004) and for his recording of Rachmaninov and Prokofiev Piano Concertos No. 3 with the RNO and conductor Mstislav Rostropovich (2003). His album of Scarlatti’s Keyboard Sonatas (Virgin/EMI) received a Gramophone Award in 1996.BBC Music Magazine called the recording "piano playing at its greatest... this performance alone would be enough to secure Pletnev a place among the greatest pianists ever known." In 2007 he recorded all of Beethoven's piano concertos with Deutsche Grammophon, and the recording of concertos 2 and 4 was named "The Best Concerto Recording of 2007" by the Tokyo Record Academy.

As a composer, Pletnev's works include Classical Symphony, Triptych for Symphony Orchestra, Fantasy on Kazakh Themes and Capriccio for Piano and Orchestra. His unrivalled transcriptions for piano of Tchaikovsky's Nutcracker Suite and Sleeping Beautywere selected, along with his performance of Tchaikovsky's Second Piano Concerto andThe Seasons, for the 1998 anthology "Great Pianists of the 20th Century" (Philips Classics).

The son of musician parents, Pletnev was conducting and learning multiple instruments as a young child and entered the Moscow Conservatory as a teenager. Today he is one of Russia's most respected and influential artists. An advisor on Russia’s Cultural Council, in 2007 Pletnev was awarded a Presidential Prize for his contributions to the artistic life of the country. Pianist, conductor, composer and cultural leader — all are significant facets of Mikhail Pletnev's life as an artist. Yet he considers himself, simply, a musician.
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