
ú?¼½
v;°/ Romantic Pieces
Sonata in E minor Antonio Vivaldi (1678-1741)
e!µ÷ ùú °²¶«p¡¤¬ öûµ
Sonata in E minor from Antonio Vivaldi is originally composed for Cello and basso continuo in Baroque Style. Basso continuo was mostly played by lute or harpsichord. Basso continuo will be played here by the guitar.
°²¶«p¡¤¬ öûµµe!µ÷ ùú³õ ª´h5 ´´÷µ#¬ õu0 À¡£¹ý%µsöÀìh5 ´ö yÀõÁ {9<üc±¾³¡söÀìk|ªûÀ´ h5 ¡£
¡ù9Á¬½ãº
Antonio Vivaldi/°²¶«p¡¤¬ öûµ¡ª¡ª1678 ú þù£¬1741 ¬²a£´Àû÷ú¼¡¢!|¡£û÷6¿¸>b!- ú¡¢½À¡¢´h Àµ5!£
basso continuo¡ª¡ª´Àûph5 ¡±¡£-ª¡°Á¬øµ5 ¡±¡£17¡¢18 À¼ 9<ü{¹7u º 5Àú0´h5 ì8´µu ù²¿¡£
Baroque¡ª¡ª·¨p° ᱡ£±¾À´¸17¡¢18 À¼u¹úºpµÀû𠻪Àöµ=¨þ·ø=À´ ö<´1600}1750º 1759°zzz5¶û À»±·¢y À´µ? ®±µÀ¡£ »¸öÿµ÷¶16øº ù±5=À´=¸´õ±¡£° À´ö ¹h5 ¡£
lute¡ª¡ªÁ a£º9Àõ·À÷£¬ ¸²¦cÀú·¿ ÷u½¹«*ð2000c´ø14 À¼ ÷° Àq3 ªwÁ c¬¾ô÷7µ~±¼°°ê¿á£2µpøöÀì½µ~± 7¸ö»¸ü¶8·£¬µ¥¶Àµh³£º ú~±¹¹³ »¶¨µ=ö!£ùÁ v¼9°2±³°u÷£¬tã¬ø± ½±³µ<ªûõ¡£Á À÷·´1507 øµ½<1770c
harpsichord¡ª¡ª9<üc¬» |üÀ÷£¬ õh¹ý»ú5²¦ì15 À¼ ¼ây À´¡£ÿ¸ö¼ü²»¸±³ö¡°¶¥¸á±£¨jack£©µ;ú5ð㬠ð»¸ö ÿ 궯µ õ¡£ õ 𤸦û92¦á££¨ ¸£©·ª|ü±£¬¶¥¸ì½o»u»¹ õ ºê¶¯£¬ò¦ 2»³ö ùµh¹ý¶ø¡£µ±¶¥¸û9 -»±£¬ õëq÷¹µá£k¼°Á¦¶5619<ü ü¸ºõ ò»¿ #¬¸´¥±ïµ'¹û¼«¢¡£
Suite in G Major(for Violoncello solo) Johann Sebastian Bach (1685-1750)
G´õ÷ ú£¨´vÀé <º²¡¤û° ùµp²¡¤°z
Johann Sebastian Bach composed the Suite in G major is originally composed by Bach of Violoncello solo for his students. The movements from this Suite are very typical for the Baroque time: Prelude-Allemande-Courante-Sarabande-Menuet+II-Gigue.
<º²¡¤û° ùµp²¡¤°zuG´õ÷ ú-À´ ªûµg úù´´54vÀ ú¡£ úµ86¯Áõu0 Àú½£ºð ú¡ª¡ª°¢Àâµú¡ª¡ª¿À ú¡ª¡ªøÀ°5ú¡ª¡ª!²½ú¡ª¡ª¼ª¸ú¡£
¡ù9Á¬½ãº
JS°zaª¡ªµ¹ú÷ú¼¡¢¹7|¡£ûµ÷·°üÀ¨9À¡¢ À¡¢¼üú¡¢Á ú¡¢¹7ú¡¢¸ð ú¡¢¿µþþ¡¢ê¾b¸úº ý>µ÷µ!£¶ ¶ ÷ú¼ºr»¿ ¤ ýµýÀ´õ£¬°zuÀ Á¸ õ#¬ øu;°À´õ£º¡°»Àªõ#¡£¡±
Prelude¡ª¡ªð ú£¬»ûÀ3¸®ðµÀú£»»s úµ5»À£»»¸>õ9Àýá£
Allemande¡ª¡ª47¨õ0¢Àâµ£¨ú£©¡£h³£ª4/4㬵«±öþá£17º 18 À¼sõµ÷ú¼ ù ù÷ úµ5»À»ð ú®ºõ5»À¡£8ï6ø²»³Á#¬ 5v#»ú½ª¶þ¶(binary form)¡£
Courante¡ª¡ª¿À ú£¬-ª¡°Á÷¶¯¡±¡£ ·¨¹úú£¬17 À¼ Á÷´«¼«¹ìº+´Àû¡£°zu<ü÷·|¶û¿ 7¢Àý㺽«³{µ=:»ìÿ» ¸÷»½c¹u ú#¬¿À úµ» °¢Àâµú®ºcüµ:ì|¶û± á°ð ± ú¡±£¨Doubles£©£¬¼´ú±¾ µ1c
Sarabande¡ª¡ªøÀ°5ú¡£17¡¢18 À¼ux½¡£ 4À¶¡À£¬16 À¼ ÷° À³ö¡£17 À¼ ý½ø·¨¹úº â¹ú£¬Àõøüò»¶»ï5ýý½¶ø²» -À´÷° Àµ;½¡£ û¶û¡¢J.S.°zzz5¶ûµ÷À÷·#¬øÀ°5ú³ ª ú5»¸ö± üÀ¡£
Menuet¡ª¡ª£¨·¨é!²½ú¡£ýú£¬-ª·¨¹úµôx£¬17 À¼q»¹¬b²¡£5ª½!(menu)¶øc¬¹µôûþ¡£²»¾ñ»èµ÷ú¼² 㬴ÀÀû£¨Lully£¬ ú´Àûµ÷ú¼£¬1661¼è¹ú¼®£©¿ª¼ ú#¬³ ª¿y©aõ»¸öÀ£¬ü²ø³ö°za¢º5¶ûµú!£
Gigue¡ª¡ª¼ª¸ú¡£»Á÷â¸À¼¡¢xÀ¼ºp®¶ûÀ¼ôu;ú¡£h³£² ø´¶þûý᣼ª¸½µÀú±»ü }ø ú÷ªÀý5= øÀ£º°zu<ª¸À#¬Á½¶Á½¸ö552¿· ù ùÀ ¸³¸wøÀ¾ê¼£¬ð°¿·µ÷ ù ùµ¹ó ªºð¿·µ÷c
Serenade Op.84 Leonhard de Call£¨1767-1815£©
!¹ú£¬÷·84º À³°¹þµ¡¤¿¨¶û
Leonhard de Call has composed the Serenade Op.84. This is one of the most romantic Classical music which is originally composed for Cello & Guitar. Adagio-Minuetto, Andantino, Polonaise-Minore are three movements from this Serenade.
À³°¹þµ¿¨¶û´´÷Á!¹ú÷·84ºa£÷· ®·Àþµ9uÀ£¬-À´¾ ª´*û´´÷µ!£ !¹ú·ª3¸öÀ£ºpj¡ª!²½ú£¬!0ì!µ÷²¨ú¡£
¡ù9Á¬½ãº
À³°¹þµ¡¤¿¨¶û »û°µÀû÷ú¼£¬19 À¼sõ¬² ®· ;¶í¡£û÷2¢·¢Á ¶ ÷·£¬1 ª¼ªûº ûÀ÷´´÷µ À÷·£¬»¹8ú¡¢À÷·µ!£
Serenade¡ª¡ª£¨·¨£©!¹ú¡£±¾ ¶;»±5À£¬Áµù ô° · ù³ªµ8ú¡£÷À!¹ú½ýü18 À¼ )·¢y³ ª½üòúº úµ÷·¡£
Adagio¡ª¡ª£¨épc £¬»ºý£¬±9ð(largo) ?쵫±0(andante) ý¡£
Minuetto¡ª¡ª£¨é!²½ú¡£
Andantino¡ª¡ª£¨é!0ì³ö0andante¡£q ÿ !0q ¾±0 ?)¡£
Polonaise¡ª¡ª£¨·¨£©²¨ú¡£»µ¥ýõ2¨À¼ú£¬v #»² õµøüáµ±)£¬ ¡5½s $²½öø²» øìº? 416 À¼u9 ú»c
Bachianas Brasilieras No. 5 Heitor Villa-Lobos£¨1887-1959£©
° ÷µ0zwøì÷·µ ¬À¡¤©ù¡¤º£ 6û
Heitor Villa-Lobos is one of most famous composers from Brasil. Villa-Lobos was a cellist and guitarist, too. This arrangement from the piece Bachianas Brasilieras No. 5 could be also done by himself, which is originally composed for voice & orchestra. Here an arrangement for Cello & Guitar.
¬À¡¤©ù¡¤º£ 6û ð ÷»»øû÷ú¼¡£û »»´<£¬l±² üªû<¡£û¹²÷9 !¶° ÷µ0zwøwª± µ÷·£¬ õ ã¬÷1938ì-À´ ª ùÀ{À¶ô´÷µ!£áÀ» ý«t*ûc
¡ù9Á¬½ãº
¬À¡¤©ù¡¤º£ 6û£¬° ÷÷ú¼¡£¸¸ ûµ À¦£¬½ûÀ´a£øÀ<¬¸>À¶ú}»À¶4c¬ 5½¶ ùÀ À¼¡¢ùÀù»ù<°©À ùµðì1920 ºõ¸»c1927-1930 ° À 5½øµz <<°±µ¹u÷uðì½yû´´÷Á󪡶° ÷µ0zwøõõÁ÷·£¬½zð ÷ Á·zpzv»À·øð ¿ú½¿÷·À0 ÷¡°µ7½k²¡±µõ½Át´cû »»¶2úµ÷ú¼¡¢ý ÷¼²¢¸»Àþk²£¬;ûµÀÁÁª}|5À#¬µ«û¼« ýxì¶ø À¿¿k²º}30 ÷·¶¡£
Cordoba Isaac Albeniz£¨1860-1909£©
¿¶û¶ 㨰¢¸ùb³ #© °¢¶û±´ù¡¤Áø¿
Danza Espanola No. 5 Enrique Granados£¨1867-1916£©
÷° Àú£¬÷·µ ¸Àv ù¡¤¶÷Àÿ
Isaac Albeniz¡¯s Cordoba and Enrique Granados¡¯s Danza Espanola No. 5 both pieces are composed for piano solo. Here are Cordoba and Danza Espanola No. 5 arranged for Cello & Guitar.
Á½ ú?-À´¶¼ øvÀ ÷·£¬ºÀ´¸1 ª´*ûº0~¡£
¡ù9Á¬½ãº
°¢¶û±´ù¡¤Áø¿áª¡ª÷° À¸|¡¢÷ú¼¡£1880ê¼ ¶9ú¼r»sö£¬ û<ºµ ¶8÷·¡£½ö1880£1892¼ìû¹²4Á250 ã¬6 ý² ÷° À5=: ýa£
¸Àv ù¡¤¶÷Àÿ᪡ª÷° À÷ú¼¡¢¸|¡£1890 ° û ô¾6À À»c19004°0 ûùuÀ»-»ì19014° <ºµ8g#¡°¸Àv ùg:¡±¡£¸|¼x󬣬5¯ û<ºµ÷·ø³¡£ù÷¸úµvø¸»«ì¸ú ;£¬2» r 18 À¼ hu÷øóýÁ÷6¿¸ú® 컹2» x>b¹À÷·¡£v÷° Àú¡·-À´¾ ª¹À¶ø´´÷µ!£
Auzielle£¨for Guitar Solo£© Edmundo Vasquez£¨*1938£©
ó °®µ¶¼¡¤ ùÿù
Edmundo Vasquez wrote the piece Auzielle for guitar in a time he was homesick. Vasquez have to leave his native land Chile 1972. After than he lives in Paris till today. He couldn¡¯t visit his hometown for years. Peter Korbel has recorded his all works for guitar on a CD in 1995.
µ±°®µ¶¼<õ±ºìû4 ª¼ªû¶ø÷µ÷·¡£1972µ±ºìûÀêÁüÀû¡£±Á½ìû¾á° Àcû~º6 û;%¹ý<ºµ¹ú¡¢<ºµ<chµü® ú!£¼ªû<±!¤¿¶ø±´ ú1995¹ ¼Áûù5÷·£¬²¢·¢ÁCD¡£
Choros No.1 (for Guitar Solo) Heitor Villa- Lobos (1887-1959)
£¬÷·1£¨¼ªû¶Àé ¬À¡¤©ù¡¤º£ 6û
Choros No.1 is one of the most popular pieces composed by Heitor Villa- Lobos for guitar solo.
¬À¡¤©ù¡¤º£ 6û誼ªû¶ø÷µªøûµ» ÷·¡£º£ 6û »»ý ÷¼²¢¸»Àþk²£¬æ|5 ½÷ª»ù´¡£¬´´÷»õÁ=«À÷ ù½ø8÷¸÷ùzõ÷·£¬¾6¨µº¡£
¡ù9Á¬½ãº
Choros¡ª¡ª ¡£¬À©ùµ» 14 Àú£¬41920£1929¼ìø÷²»lµÀ÷z㬴üªû¶À}Á½¼8À¶ã¬Àúü ÁÀµ=0Á÷úµ÷µ7ø÷¡£
Sonata Radames Gnattali
ùú Àôù¡¤¸ þ
Radames Gnattali wrote the composition Sonata originally for Cello & Guitar. Gnattali lived in Brasil. His music is influenced by South American music and jazz. Allegretto comodo is a sonata form. Adagio is written in very romantic mood. Con spinto is typical South American: lively with rhythm, many parts remember us to be in Carneval in Rio.
Àôù¡¤¸ þ ùú 誼ªûôt´÷µ!£û¾á° ÷£¬´´÷Àµ7ø 5½ÀÀþ¿µðc µ±µ!¿0 »¸ö ùú½£»ºöøÀ´µpsúÁÀþµó£»Con spinto õuÀÀ·ø¡ª äµý ° ÷¿½ û¶¿5±¿!£
¡ù9Á¬½ãº
Allegretto¡ª¡ª£¨é!¿0c5?c¬º;õ#¨µ«²»¼°allegro¿é¡£
Comodo¡ª¡ª£¨éu!¢±õ#¬¼´»µ²²»½a£
Sonata form¡ª¡ª ùú½¡£»À½y£¬h³£ ùú¡¢½»ú»- úµ5»À¡£
Áã¬â2¿· <Rolf Petrichº Peter Korbel úi£¬4ù;¡£
Áj!¶c½¼÷À´µw£¨À³ö° õ0ì2002 9£©
Sonata in E minor Antonio Vivaldi (1678-1741)
e!µ÷ ùú °²¶«p¡¤¬ öûµ
Sonata in E minor from Antonio Vivaldi is originally composed for Cello and basso continuo in Baroque Style. Basso continuo was mostly played by lute or harpsichord. Basso continuo will be played here by the guitar.
°²¶«p¡¤¬ öûµµe!µ÷ ùú³õ ª´h5 ´´÷µ#¬ õu0 À¡£¹ý%µsöÀìh5 ´ö yÀõÁ {9<üc±¾³¡söÀìk|ªûÀ´ h5 ¡£
¡ù9Á¬½ãº
Antonio Vivaldi/°²¶«p¡¤¬ öûµ¡ª¡ª1678 ú þù£¬1741 ¬²a£´Àû÷ú¼¡¢!|¡£û÷6¿¸>b!- ú¡¢½À¡¢´h Àµ5!£
basso continuo¡ª¡ª´Àûph5 ¡±¡£-ª¡°Á¬øµ5 ¡±¡£17¡¢18 À¼ 9<ü{¹7u º 5Àú0´h5 ì8´µu ù²¿¡£
Baroque¡ª¡ª·¨p° ᱡ£±¾À´¸17¡¢18 À¼u¹úºpµÀû𠻪Àöµ=¨þ·ø=À´ ö<´1600}1750º 1759°zzz5¶û À»±·¢y À´µ? ®±µÀ¡£ »¸öÿµ÷¶16øº ù±5=À´=¸´õ±¡£° À´ö ¹h5 ¡£
lute¡ª¡ªÁ a£º9Àõ·À÷£¬ ¸²¦cÀú·¿ ÷u½¹«*ð2000c´ø14 À¼ ÷° Àq3 ªwÁ c¬¾ô÷7µ~±¼°°ê¿á£2µpøöÀì½µ~± 7¸ö»¸ü¶8·£¬µ¥¶Àµh³£º ú~±¹¹³ »¶¨µ=ö!£ùÁ v¼9°2±³°u÷£¬tã¬ø± ½±³µ<ªûõ¡£Á À÷·´1507 øµ½<1770c
harpsichord¡ª¡ª9<üc¬» |üÀ÷£¬ õh¹ý»ú5²¦ì15 À¼ ¼ây À´¡£ÿ¸ö¼ü²»¸±³ö¡°¶¥¸á±£¨jack£©µ;ú5ð㬠ð»¸ö ÿ 궯µ õ¡£ õ 𤸦û92¦á££¨ ¸£©·ª|ü±£¬¶¥¸ì½o»u»¹ õ ºê¶¯£¬ò¦ 2»³ö ùµh¹ý¶ø¡£µ±¶¥¸û9 -»±£¬ õëq÷¹µá£k¼°Á¦¶5619<ü ü¸ºõ ò»¿ #¬¸´¥±ïµ'¹û¼«¢¡£
Suite in G Major(for Violoncello solo) Johann Sebastian Bach (1685-1750)
G´õ÷ ú£¨´vÀé <º²¡¤û° ùµp²¡¤°z
Johann Sebastian Bach composed the Suite in G major is originally composed by Bach of Violoncello solo for his students. The movements from this Suite are very typical for the Baroque time: Prelude-Allemande-Courante-Sarabande-Menuet+II-Gigue.
<º²¡¤û° ùµp²¡¤°zuG´õ÷ ú-À´ ªûµg úù´´54vÀ ú¡£ úµ86¯Áõu0 Àú½£ºð ú¡ª¡ª°¢Àâµú¡ª¡ª¿À ú¡ª¡ªøÀ°5ú¡ª¡ª!²½ú¡ª¡ª¼ª¸ú¡£
¡ù9Á¬½ãº
JS°zaª¡ªµ¹ú÷ú¼¡¢¹7|¡£ûµ÷·°üÀ¨9À¡¢ À¡¢¼üú¡¢Á ú¡¢¹7ú¡¢¸ð ú¡¢¿µþþ¡¢ê¾b¸úº ý>µ÷µ!£¶ ¶ ÷ú¼ºr»¿ ¤ ýµýÀ´õ£¬°zuÀ Á¸ õ#¬ øu;°À´õ£º¡°»Àªõ#¡£¡±
Prelude¡ª¡ªð ú£¬»ûÀ3¸®ðµÀú£»»s úµ5»À£»»¸>õ9Àýá£
Allemande¡ª¡ª47¨õ0¢Àâµ£¨ú£©¡£h³£ª4/4㬵«±öþá£17º 18 À¼sõµ÷ú¼ ù ù÷ úµ5»À»ð ú®ºõ5»À¡£8ï6ø²»³Á#¬ 5v#»ú½ª¶þ¶(binary form)¡£
Courante¡ª¡ª¿À ú£¬-ª¡°Á÷¶¯¡±¡£ ·¨¹úú£¬17 À¼ Á÷´«¼«¹ìº+´Àû¡£°zu<ü÷·|¶û¿ 7¢Àý㺽«³{µ=:»ìÿ» ¸÷»½c¹u ú#¬¿À úµ» °¢Àâµú®ºcüµ:ì|¶û± á°ð ± ú¡±£¨Doubles£©£¬¼´ú±¾ µ1c
Sarabande¡ª¡ªøÀ°5ú¡£17¡¢18 À¼ux½¡£ 4À¶¡À£¬16 À¼ ÷° À³ö¡£17 À¼ ý½ø·¨¹úº â¹ú£¬Àõøüò»¶»ï5ýý½¶ø²» -À´÷° Àµ;½¡£ û¶û¡¢J.S.°zzz5¶ûµ÷À÷·#¬øÀ°5ú³ ª ú5»¸ö± üÀ¡£
Menuet¡ª¡ª£¨·¨é!²½ú¡£ýú£¬-ª·¨¹úµôx£¬17 À¼q»¹¬b²¡£5ª½!(menu)¶øc¬¹µôûþ¡£²»¾ñ»èµ÷ú¼² 㬴ÀÀû£¨Lully£¬ ú´Àûµ÷ú¼£¬1661¼è¹ú¼®£©¿ª¼ ú#¬³ ª¿y©aõ»¸öÀ£¬ü²ø³ö°za¢º5¶ûµú!£
Gigue¡ª¡ª¼ª¸ú¡£»Á÷â¸À¼¡¢xÀ¼ºp®¶ûÀ¼ôu;ú¡£h³£² ø´¶þûý᣼ª¸½µÀú±»ü }ø ú÷ªÀý5= øÀ£º°zu<ª¸À#¬Á½¶Á½¸ö552¿· ù ùÀ ¸³¸wøÀ¾ê¼£¬ð°¿·µ÷ ù ùµ¹ó ªºð¿·µ÷c
Serenade Op.84 Leonhard de Call£¨1767-1815£©
!¹ú£¬÷·84º À³°¹þµ¡¤¿¨¶û
Leonhard de Call has composed the Serenade Op.84. This is one of the most romantic Classical music which is originally composed for Cello & Guitar. Adagio-Minuetto, Andantino, Polonaise-Minore are three movements from this Serenade.
À³°¹þµ¿¨¶û´´÷Á!¹ú÷·84ºa£÷· ®·Àþµ9uÀ£¬-À´¾ ª´*û´´÷µ!£ !¹ú·ª3¸öÀ£ºpj¡ª!²½ú£¬!0ì!µ÷²¨ú¡£
¡ù9Á¬½ãº
À³°¹þµ¡¤¿¨¶û »û°µÀû÷ú¼£¬19 À¼sõ¬² ®· ;¶í¡£û÷2¢·¢Á ¶ ÷·£¬1 ª¼ªûº ûÀ÷´´÷µ À÷·£¬»¹8ú¡¢À÷·µ!£
Serenade¡ª¡ª£¨·¨£©!¹ú¡£±¾ ¶;»±5À£¬Áµù ô° · ù³ªµ8ú¡£÷À!¹ú½ýü18 À¼ )·¢y³ ª½üòúº úµ÷·¡£
Adagio¡ª¡ª£¨épc £¬»ºý£¬±9ð(largo) ?쵫±0(andante) ý¡£
Minuetto¡ª¡ª£¨é!²½ú¡£
Andantino¡ª¡ª£¨é!0ì³ö0andante¡£q ÿ !0q ¾±0 ?)¡£
Polonaise¡ª¡ª£¨·¨£©²¨ú¡£»µ¥ýõ2¨À¼ú£¬v #»² õµøüáµ±)£¬ ¡5½s $²½öø²» øìº? 416 À¼u9 ú»c
Bachianas Brasilieras No. 5 Heitor Villa-Lobos£¨1887-1959£©
° ÷µ0zwøì÷·µ ¬À¡¤©ù¡¤º£ 6û
Heitor Villa-Lobos is one of most famous composers from Brasil. Villa-Lobos was a cellist and guitarist, too. This arrangement from the piece Bachianas Brasilieras No. 5 could be also done by himself, which is originally composed for voice & orchestra. Here an arrangement for Cello & Guitar.
¬À¡¤©ù¡¤º£ 6û ð ÷»»øû÷ú¼¡£û »»´<£¬l±² üªû<¡£û¹²÷9 !¶° ÷µ0zwøwª± µ÷·£¬ õ ã¬÷1938ì-À´ ª ùÀ{À¶ô´÷µ!£áÀ» ý«t*ûc
¡ù9Á¬½ãº
¬À¡¤©ù¡¤º£ 6û£¬° ÷÷ú¼¡£¸¸ ûµ À¦£¬½ûÀ´a£øÀ<¬¸>À¶ú}»À¶4c¬ 5½¶ ùÀ À¼¡¢ùÀù»ù<°©À ùµðì1920 ºõ¸»c1927-1930 ° À 5½øµz <<°±µ¹u÷uðì½yû´´÷Á󪡶° ÷µ0zwøõõÁ÷·£¬½zð ÷ Á·zpzv»À·øð ¿ú½¿÷·À0 ÷¡°µ7½k²¡±µõ½Át´cû »»¶2úµ÷ú¼¡¢ý ÷¼²¢¸»Àþk²£¬;ûµÀÁÁª}|5À#¬µ«û¼« ýxì¶ø À¿¿k²º}30 ÷·¶¡£
Cordoba Isaac Albeniz£¨1860-1909£©
¿¶û¶ 㨰¢¸ùb³ #© °¢¶û±´ù¡¤Áø¿
Danza Espanola No. 5 Enrique Granados£¨1867-1916£©
÷° Àú£¬÷·µ ¸Àv ù¡¤¶÷Àÿ
Isaac Albeniz¡¯s Cordoba and Enrique Granados¡¯s Danza Espanola No. 5 both pieces are composed for piano solo. Here are Cordoba and Danza Espanola No. 5 arranged for Cello & Guitar.
Á½ ú?-À´¶¼ øvÀ ÷·£¬ºÀ´¸1 ª´*ûº0~¡£
¡ù9Á¬½ãº
°¢¶û±´ù¡¤Áø¿áª¡ª÷° À¸|¡¢÷ú¼¡£1880ê¼ ¶9ú¼r»sö£¬ û<ºµ ¶8÷·¡£½ö1880£1892¼ìû¹²4Á250 ã¬6 ý² ÷° À5=: ýa£
¸Àv ù¡¤¶÷Àÿ᪡ª÷° À÷ú¼¡¢¸|¡£1890 ° û ô¾6À À»c19004°0 ûùuÀ»-»ì19014° <ºµ8g#¡°¸Àv ùg:¡±¡£¸|¼x󬣬5¯ û<ºµ÷·ø³¡£ù÷¸úµvø¸»«ì¸ú ;£¬2» r 18 À¼ hu÷øóýÁ÷6¿¸ú® 컹2» x>b¹À÷·¡£v÷° Àú¡·-À´¾ ª¹À¶ø´´÷µ!£
Auzielle£¨for Guitar Solo£© Edmundo Vasquez£¨*1938£©
ó °®µ¶¼¡¤ ùÿù
Edmundo Vasquez wrote the piece Auzielle for guitar in a time he was homesick. Vasquez have to leave his native land Chile 1972. After than he lives in Paris till today. He couldn¡¯t visit his hometown for years. Peter Korbel has recorded his all works for guitar on a CD in 1995.
µ±°®µ¶¼<õ±ºìû4 ª¼ªû¶ø÷µ÷·¡£1972µ±ºìûÀêÁüÀû¡£±Á½ìû¾á° Àcû~º6 û;%¹ý<ºµ¹ú¡¢<ºµ<chµü® ú!£¼ªû<±!¤¿¶ø±´ ú1995¹ ¼Áûù5÷·£¬²¢·¢ÁCD¡£
Choros No.1 (for Guitar Solo) Heitor Villa- Lobos (1887-1959)
£¬÷·1£¨¼ªû¶Àé ¬À¡¤©ù¡¤º£ 6û
Choros No.1 is one of the most popular pieces composed by Heitor Villa- Lobos for guitar solo.
¬À¡¤©ù¡¤º£ 6û誼ªû¶ø÷µªøûµ» ÷·¡£º£ 6û »»ý ÷¼²¢¸»Àþk²£¬æ|5 ½÷ª»ù´¡£¬´´÷»õÁ=«À÷ ù½ø8÷¸÷ùzõ÷·£¬¾6¨µº¡£
¡ù9Á¬½ãº
Choros¡ª¡ª ¡£¬À©ùµ» 14 Àú£¬41920£1929¼ìø÷²»lµÀ÷z㬴üªû¶À}Á½¼8À¶ã¬Àúü ÁÀµ=0Á÷úµ÷µ7ø÷¡£
Sonata Radames Gnattali
ùú Àôù¡¤¸ þ
Radames Gnattali wrote the composition Sonata originally for Cello & Guitar. Gnattali lived in Brasil. His music is influenced by South American music and jazz. Allegretto comodo is a sonata form. Adagio is written in very romantic mood. Con spinto is typical South American: lively with rhythm, many parts remember us to be in Carneval in Rio.
Àôù¡¤¸ þ ùú 誼ªûôt´÷µ!£û¾á° ÷£¬´´÷Àµ7ø 5½ÀÀþ¿µðc µ±µ!¿0 »¸ö ùú½£»ºöøÀ´µpsúÁÀþµó£»Con spinto õuÀÀ·ø¡ª äµý ° ÷¿½ û¶¿5±¿!£
¡ù9Á¬½ãº
Allegretto¡ª¡ª£¨é!¿0c5?c¬º;õ#¨µ«²»¼°allegro¿é¡£
Comodo¡ª¡ª£¨éu!¢±õ#¬¼´»µ²²»½a£
Sonata form¡ª¡ª ùú½¡£»À½y£¬h³£ ùú¡¢½»ú»- úµ5»À¡£
Áã¬â2¿· <Rolf Petrichº Peter Korbel úi£¬4ù;¡£
Áj!¶c½¼÷À´µw£¨À³ö° õ0ì2002 9£©
|

